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René
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 Posted:
Sat Feb 03, 2007 11:43 pm Hans Zimmer's "Rain Main" |
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I like this one a lot. It sounds very good.
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Thomas
Even more Cool Member
Joined: 03 Feb 2007
Posts: 368
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Posted:
Sun Feb 04, 2007 12:44 am (No subject) |
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I really like the Rainman theme, too. A really beautiful tune 
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René
Guest
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Posted:
Sun Feb 04, 2007 1:29 am (No subject) |
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« Thomas » wrote:
I really like the Rainman theme, too. A really beautiful tune
Very powerful production in sound. One of the few Panflute tracks i like.
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Thomas
Even more Cool Member
Joined: 03 Feb 2007
Posts: 368
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Posted:
Sun Feb 04, 2007 1:33 am (No subject) |
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« renevanderwouden » wrote:
One of the few Panflute tracks i like.
Hehe, agree! panflute is usually crap, but this one works
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BillBinkelman
Very Cool Member
Age: 58
Joined: 03 Feb 2007
Posts: 163
Location: Minneapolis, Minnesota, USA
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Posted:
Tue Feb 06, 2007 8:20 pm (No subject) |
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I agree the "theme" is excellent, but don't buy the CD for that because it's a rip off. Too many vocal songs from the soundtrack and not enough of Zimmer's stuff. Maybe a total of 10 minutes of his music and the rest just songs that were used in the film. What a disappointment.
The theme at the end (the scene at the railroad station) is the best stuff, IMO.
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Jon
One of the Coolest Member
Age: 38
Joined: 03 Feb 2007
Posts: 1371
Location: Kristiansand, Norway
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Posted:
Tue Feb 06, 2007 10:18 pm (No subject) |
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Rain Man is brilliant, yes. But it's not a real pan flute though...
I think the CD is worth buying even if there is just around 11 minutes of Zimmer on it. You can usually find the CD quite cheap.
This is a common problem about film music, including songs on the CD instead of the instrumental score.
I remember that theme at the end, Bill. There is a bootleg CD of the score available, with more music from the film. It is at
http://hans-zimmer.com/fr/search.php , search for Rain Man to the right.
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ahem
Cool Member
Joined: 22 Apr 2007
Posts: 65
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Posted:
Sun Apr 22, 2007 6:09 pm (No subject) |
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For Zimmer it's very good, but it doesn't sound more special than anything Jan Hammer was churning out every week on MIAMI VICE. The Oscar nomination was frankly laughable. LOADS of 80s synth scores were lightyears more deserved than that late 80s cocktail party backing music.
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