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Now Playing - Part 6
by BruecknerAmbient on Mon Apr 19, 2021 2:01 pm
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The small reset
by vonhaulshoven on Mon Apr 19, 2021 9:04 am
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Galactic Travels™ Episode 1250 is Archived
by ultramusicman on Sun Apr 18, 2021 5:19 pm
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Bernhard Wöstheinrich & TaboTago Release Series
by bewoest on Sun Apr 18, 2021 12:41 pm
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WavemansUnderground 4hrs EM/Ambient 2021 releases!
by waveman2.3 on Sat Apr 17, 2021 10:40 am
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Galactic Travels™ Playlist #1250 for April 15, 2021.
by ultramusicman on Fri Apr 16, 2021 9:19 pm
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syndae - episode 568
by treibklang on Fri Apr 16, 2021 8:00 pm
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Film about TOMMY BETZLER by Enrico Corsano
by BruecknerAmbient on Thu Apr 15, 2021 8:56 pm
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Music you have recently bought - Part 2
by BruecknerAmbient on Tue Apr 13, 2021 10:01 pm
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Fourth Dimension
by Fourth Dimension on Tue Apr 13, 2021 6:55 am
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| WavemansUnderground 4hrs EM/Ambient 2021 releases! |
| Posted Sat Apr 17, 2021 10:40 am by waveman2.3 |
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As usual one week before airplay.....the playlist in "WavemansUnderground" friday april 23 http://www.underground-aexpaerten.de/radio1/
20.00-0.00 / 7pm-11.00pm(UK) / 2-6pm(US) CST EM / Ambient / Sequencer music --you are welcome in the chat-- See the playlist
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| M. BrĂĽckner interview by Michel Scheijen / Musicophilia |
| Posted Thu Mar 25, 2021 9:29 pm by BruecknerAmbient |
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Recently, Michel Scheijen conducted an interview with me for his wonderful blog "Musicophilia" and released it there today, under a rather suitable title!
https://musicophilia.nl/michael-bruckner-the-hobbit-at-the-court-of-the-elves/
Michel was very patient with me talking at length about many topics, including the "basics" about my musical journey and inspirations (which some of You are maybe already familiar with) but also topics like P'Faun, my connection to the SynGate label, Klaustrophilia and album release overkill...
He picked some nice old photos too - like these of one of my early meetings with Olaf Lux, and with Gerd Wienekamp (of Rainbow Serpent) and Kilian Schloemp (of SynGate) at Winnies Schwingungen Garden Party in 2013...
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| Imaginary Landscape (HaDi Schmidt) Live Video |
| Posted Mon Mar 22, 2021 11:02 pm by BruecknerAmbient |
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My good friend (and Bridge To Imla duo partner) HaDi Schmidt recently had the oportunity to have a concert (well, due to Covid alone in a small hall) filmed by a professional film crew - and WOW! - was he on form!
 
This is easily the most impressive performance I witnessed by HaDi yet (including any of our BTI concerts).
https://youtu.be/VjrnMOY5ndI
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This news item has been viewed 219 times and has 0 Comments. |
| RIP Constance Dembi |
| Posted Mon Mar 22, 2021 8:34 pm by BruecknerAmbient |
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The following was posted yesterday on Constance Dembi's Facebook page:
"Constance Demby (May 9, 1939 - March 20, 2021) multi-instrumentalist and composer.
Constance Demby, pioneering composer and musician, died peacefully on March 20 at the age of 81. Her 1986 album Novus Magnificat: Through the Stargate, is regularly listed among the most influential New Age and ambient albums of all time.
Blending classical, New Age and electronic music, Demby’s compositions have influenced many generations of composers. She performed at events with the Dalai Lama, Deepak Chopra, and Todd Rundgren, often in dramatic settings, such as the Museum of Modern Art in New York City, the Great Pyramid of Giza, and Stonehenge.
Demby performed on instruments of her own creation. Stemming from her early training as a sculptor, Demby’s most prominent innovation was the Sonic Steel Space Bass, made of sheet metal with tuned steel rods, played with mallets and a bow. The Space Bass emits a wide variety of sounds that resemble wind chimes, thunder, whale cries, and human voices.
Constance Demby was also proficient on the hammered dulcimer, tamboura, and keyboards. Her travels to India, Spain, and Portugal, experiences with sound healing, and a love of Gregorian chants influenced her unique musical style.
Stephen Hill, founder of Hearts of Space, said, “Constance Demby was gifted with an intuitive musical sense of sound and melody that moved people deeply. Beginning in experimental improvisation and contemplative acoustic music, she incorporated classical orchestration, symphonic composition, and the expanded sonic dimensions of electronic space into her music. Her 1986 "cosmic choral symphony" Novus Magnificat elevated the standards of scope and production in the early New Age genre and has become a timeless classic.
She recorded over a dozen albums, including the landmark Constance Demby at Alaron, Sacred Space Music, Set Free, Light of This World, S . . .
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